We finish the shots directors are afraid to ask for.
Compositing, color, CG, and motion graphics for film, streaming, and brand work — built by a small team that stays on your show from first plate to final master.
Every discipline a finish needs, under one roof.
Compositing
Nuke-based compositing, roto, paint, and cleanup for plates that need to disappear into the story.
Color Grading
DaVinci Resolve grading and HDR mastering that carries a film's tone from scene to scene.
3D & CG
Set extensions, creature and character integration, and environment builds matched to plate lighting.
Motion Graphics
Titles, UI/HUD design, and broadcast graphics built to hold up on the big screen.
A few shots we're proud to talk about.
Let's build something unforgettable.
Whether it's a single tricky shot or a full season of episodic VFX, we've got the pipeline and the people.
Start a ProjectA focused team, built for the hardest shots.
We don't farm work out to anonymous artists overseas. Every shot that comes through LevelUpVFX is touched by a senior compositor, colorist, or CG artist who's been doing this for over a decade.
Senior only
No juniors learning on your dime. The person who scopes the shot is the person who finishes it.
Fixed bids
We lock scope and price before any work starts. If we miss something, that's on us — not on your invoice.
Real availability
We don't overbook. If we say we can hit a date, we hit it. No 2am "we need more time" emails.
The people actually doing the work.
Mara V.
VFX Supervisor & Lead Compositor
James L.
Lead Colorist
Sasha P.
CG & Creature Lead
Dev R.
Motion Graphics Lead
A full post-production pipeline.
From the first plate to the final master, we handle every step of the VFX and color pipeline in-house.
Compositing & Cleanup
Whether it's a beauty pass on a close-up or a full set extension on a wide plate, our compositors have the toolkit and the eye to make the impossible look like it was there on the day.
- Nuke, After Effects, Silhouette
- Roto, paint, and wire removal
- Plate reconstruction and set extensions
Color Grading & HDR
Color isn't an afterthought. We grade in DaVinci Resolve with calibrated monitoring, delivering both SDR and HDR masters that carry your intended look across every screen.
- DaVinci Resolve Studio
- HDR (HDR10, Dolby Vision) and SDR
- Look development and LUT creation
3D, CG & Environments
From fully CG creatures to invisible environment extensions, we build, light, and render assets that match your plate perfectly — no bad tracking, no floating shadows.
- Maya, Houdini, Blender
- Redshift & Arnold rendering
- Photogrammetry & LiDAR integration
Motion Graphics & Titles
Main-on-end titles, UI/HUD design, and broadcast graphics that hold up at 4K. We design and animate in-house, built around your brand or creative brief.
- After Effects & Cinema 4D
- Title design and animation
- UI/HUD design and tracking
Tools we use
A selection of recent work.
Filter by discipline to see specific examples of our compositing, color, and CG work.
Set Extension
Compositing
CG Integration
Title DesignHUD / UIBroadcastA real sequence, because finishing actually is one.
Unlike a services list, this is genuinely ordered — each stage depends on what came before it. Here's what happens after you reach out.
Scoping call
We review your cut or reference material, talk through deliverables and deadline, and flag anything that looks like a risk early.
1–2 daysBid & schedule
A fixed-scope quote and a shot-by-shot schedule, so you know what's landing when before any work starts.
2–3 daysDailies & review
Work-in-progress shots go up on a shared review link on a fixed cadence. You leave notes directly on frame; we turn revisions same day where possible.
Ongoing through productionFinal approval
Locked shots go through internal QC against delivery spec before they're marked final — no surprises at conform.
1–2 days per batchDelivery & mastering
Final masters delivered to your spec (broadcast, streaming, DCP, or web), with full version history archived on our end for 12 months.
1–3 daysStraightforward tiers. Custom bids for anything larger.
Every project starts with a scoping call — these ranges give you a starting point before that conversation.
Single Shot
For brand spots, social content, or a handful of hero shots.
- Compositing or color grading
- 2 rounds of revisions
- Standard turnaround (5–7 days)
- Web/broadcast delivery
Episodic / Short Form
For series work, short films, and multi-shot brand campaigns.
- Full compositing + color pipeline
- Dedicated review-link dailies
- 3 rounds of revisions
- HDR/SDR mastering included
- Priority scheduling
Feature / Full Season
For features and full seasons needing dedicated CG, comp, and color teams.
- Dedicated artist team for your show
- Full CG, comp, color & motion graphics
- Embedded post supervisor
- DI supervision available
Rates vary by shot complexity, asset count, and timeline. Rush turnaround available at a surcharge.
Tell us about your project.
We reply within one business day with next steps — or with an honest "we're not the right fit," if that's the case.
Response Time
Within 1 business day, Monday–Friday.
NDA Work
Comfortable signing production NDAs before reviewing footage — just say so in your message.